Bhaskar Chitrakar

Folk & Tribal - Kalighat

Bhaskar Chitrakar


In a modest studio tucked inside his childhood home in Kolkata's Kalighat neighbourhood, Bhaskar Chitrakar carries forward a lineage six generations deep. He is among the last in his family still practising Kalighat Patachitra in its traditional form — most relatives have turned to sculpture and idol-making for festival trade. Trained first by his father, Bhaskar later slipped into classes at Kolkata's Government College of Art, absorbing technique the artisan community rarely had access to.

His scrolls hold the classical Kalighat idiom, but not its classical subjects. Selfies replace deities, tuk-tuks and cellphones wander into rural compositions, and his women loom large and commanding over the men beside them — a signature inversion rooted in the form's own history. During the pandemic, he painted the virus itself, battled by towering syringes.

His work has travelled to the International Folk Art Market and into private collections across the US, UK, and Europe. He now hopes to pass the brush to his son.


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