Kharatmal's canvases unfold across three distinct series. Godhdi draws on the humble patchwork quilt of rural Maharashtra, stitching personal memory and social realities into a folk metaphor made new. Samwad translates sound into sight, turning the spontaneous imagery of musical instruments into line, shape, and colour. His Beauty series, the most expansive body of work, is devoted to the feminine form and the Sringar Rasa — rendered with the flowing grace of Ajanta's murals and the balanced, rhythmic poses of Khajuraho's sculpture. Across all three, content dictates form: each series shifts in style and texture as the subject demands, unified only by a meditative, searching intent.